Traditions are time honored practices that people carry forward from generation to generation, to preserve the benefits associated with such activities. When it comes to photo matting traditions, many of these practices should have been overthrown a long time ago. Even applying the most simplistic concepts for creating a basic matte, the time consuming job of measuring mattes to fit frames, then matching the right colors, and finally making sure the matte is cut to appropriately fit the picture can be troublesome for both amateur and professionals alike.
It is the need for precise cutting, placing and measuring that keeps many people away from trying to do it themselves to any great extent. One of the most vexing parts of this precision activity can be the fitting of the picture to its matte without losing too much around the edges, or leaving gaps on any of the sides. In some cases, I have seen poorly matted and framed placements slip apart or get off center while being transported from a frame shop to home, or taped together combinations come apart over time and need to be redone. Another problem with the traditions of matting is that more complex layers and designs add increasing amounts of thickness and weight to the framed picture. If easy is not enough, the added complexity means added cost to accomplish the desired visual effect.
There is undoubtedly a worthwhile visual impact associated with matching up a picture to a nicely done matte, even if the matte itself is just a basic colored border. When I started creating digital photo matting techniques, it was like a light bulb going on in my head. Digital methods allow me to keep the traditional advantages of picture matting, while solving many of the traditional problems associated with manipulating the physical materials. With digital mattes, I do not have to worry about the problematic measurements to fit the matte and picture to the frame, because the finished product can be printed to fit the right size frame, be displayed perfectly in a digital picture frame, or be used with a variety of other display methods.
Traditional problems of edge loss with conventional mattes can be completely eliminated with digital matting techniques, because the picture and its matte are fused together in a single printed image, while a complete view of the photo is displayed. With the digital system, any loss in the photo composition is intentional when choosing to round off corners, or create non-rectangular freestyle shapes. As complexity of digitized matte layers increase, there is no increase in the materials, thickness, or weight required to produce the end result. All the visible elements of the matting technique can be printed out on a single thin sheet of photo paper.
So, what is the bottom line here? What it all boils down to is a major reduction in labor, cost, and time needed to produce excellent matting results that range from simple to highly sophisticated designs. Traditional mattes can only be used in the solid frames they are designed to fit when they are created. Digitally matted photos can be used in a variety of ways and sizes without going back to the drawing board and starting from scratch. Say goodbye to cardboard and cutters, the digital revolution is knocking on another door.

Digital matting adds creativity and solves problems of traditional mattes